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There are Latin variants of the hair style more associated with European and Argentine tango fashion trends and occasionally with late 20th century musical genres such as rockabilly and country.
This style has become popular among Italian Americans and the "goombah" or "Guido" subculture. The style is often parodied in shows like The Sopranos, which portray stereotyped characters - especially Silvio Dante. Many Mexican Americans in the "Greaser" subculture also sport pompadours.[citation needed]
In modern Japanese popular culture, the pompadour is a stereotypical hairstyle often worn by gang members, thugs, members of the yakuza and its junior counterpart bosozoku, and other similar groups such as the yankii (high-school hoodlums). In Japan the style is known as the "Regent" hairstyle, and is often caricatured in various forms of entertainment media such as anime, manga, television, and music videos.
Conan O'Brien, American media personality and former host of Late Night with Conan O'Brien and Conan, is a notable wearer of the pompadour hairstyle.
Brent Liles of Social Distortion and Agent Orange wore a pompadour for many years.[citation neededRonald Reagan, the 40th President of the United States, sported a pompadour.[1]Singer, songwriter, Bruno Mars has also been seen sporting a pompadour.Physical factors include natural hair type and growth patterns, face and head shape from various angles, and overall body proportions; medical considerations may also apply. Self-image may be directed toward conforming to mainstream values (military-style crew cuts or current "fad" hairstyles such as the Dido flip), identifying with distinctively groomed subgroups (e.g., punk hair), or obeying religious dictates (e.g., Orthodox Jewish have payot, Rastafari have Dreadlocks, North India jatas, or the Sikh practice of Kesh), though this is highly contextual and a "mainstream" look in one setting may be limited to a "subgroup" in another.
In the 1800s, American women started wearing their hair up when they became ready to get married. Among the Fulani people of west Africa, unmarried women wear their hair ornamented with small amber beads and coins, while married women wear large amber ornaments. Marriage is signified among the Toposa women of South Sudan by wearing the hair in many small pigtails. Unmarried Hopi women have traditionally worn a "butterfly" hairstyle characterized by a twist or whorl of hair at each side of the face.
In many cultures, including Hindu culture and among the Wayana people of the Guiana highlands, young preople have historically shaved off their hair to denote coming-of-age. Women in India historically have signified adulthood by switching from wearing two braids to one. Among the Rendille of north-eastern Kenya and the Tchikrin people of the Brazilian rainforest, both men and women shave their heads after the death of a close family member. When a man died in ancient Greece, his wife cut off her hair and buried it with him,and in Hindu families, the chief mourner is expected to shave his or her head 10 days after a death.
Throughout history, hair has been a signifier of social class.Upper-class people have always used their hairstyles to signal wealth and status. Wealthy Roman women wore complex hairstyles that needed the labours of several people to maintain them,and rich people have also often chosen hairstyles that restricted or burdened their movement, making it obvious that they did not need to work.Wealthy people's hairstyles used to be at the cutting edge of fashion, setting the styles for the less wealthy. But today, the wealthy are generally observed to wear their hair in conservative styles that date back decades prior.
Middle-class hairstyles tend to be understated and professional. Middle-class people aspire to have their hair look healthy and natural, implying that they have the resources to live a healthy lifestyle and take good care of themselves. Adult middle-class women typically wear their hair shoulder-length or shorter, favouring brunette or soft blonde colours. Their hair is styled to accommodate a professional identity, avoiding strong colours or extremes of any kind.
Historically, working-class people's haircuts have tended to be practical and simple. Working-class men have often shaved their heads or worn their hair close-cropped, and working-class women have typically pulled their hair up and off their faces in simple styles. However, today, working-class people often have more elaborate and fashion-conscious hairstyles than other social classes. Many working-class Mexican men in American cities wear their hair in styles like the Mongolian (shaved except for a tuft of hair at the nape of the neck) or the rat tail (crewcut on top, tuft at the nape), and African-Americans often wear their hair in complex patterns of braids and cornrows, fastened with barrettes and beads, and sometimes including shaved sections or bright colour. Sociologists say these styles are an attempt to express individuality and presence in the face of social denigration and invisibility.
tage culture of the late 1950s and early 1960s that includes antique cars, hot rods, American folk music, rockabilly bands, Little Richard, and Elvis Presley.
In the early 1870s, in a shift that historians attribute to the influence of the West,[17] Japanese men began cutting their hair into styles known as jangiri or zangiri (which roughly means "random cropping").[18] During this period, Asian women were still wearing traditional hairstyles held up with combs, pins and sticks crafted from tortoise, metal, wood and other materials,[9] but in the middle 1880s, upper-class Japanese women began pushing back their hair in the Western style (known as sokuhatsu), or adopting Westernized versions of traditional Japanese hairstyles (these were called yakaimaki, or literally, soirée chignon).During the First World War, women around the world started to shift to shorter hairstyles that were easier to manage. In the 1920s women started for the first time to bob, shingle and crop their hair, often covering it with small head-hugging cloche hats. In Korea, the bob was called "tanbal."[19] Women began marcelling their hair, creating deep waves in it using heated scissor irons. Durable permanent waving became popular also in this period: it was an expensive, uncomfortable and time-consuming process, in which the hair was put in curlers and inserted into a steam or dry heat machine. During the 1930s women began to wear their hair slightly longer, in page boys, bobs or waves and curls.[8] During this period, Western men began to wear their hair in ways popularized by movie stars such as Douglas Fairbanks, Jr. and Rudolph Valentino. Men wore their hair short, and either parted on the side or in the middle, or combed straight back, and used pomade, creams and tonics to keep their hair in place. At the beginning of the Second World War and for some time afterwards, men's haircuts grew shorter, mimicking the military crewcut.[20]
During the 1920s and 1930s, Japanese women began wearing their hair in a style called mimi-kakushi (literally, "ear hiding"), in which hair was pulled back to cover the ears and tied into a bun at the nape of the neck. Waved or curled hair became increasingly popular for Japanese women throughout this period, and permanent waves, though controversial, were extremely popular. Bobbed hair also became more popular for Japanese women, mainly among actresses and moga, or "cut-hair girls," young Japanese women who followed Westernized fashions and lifestyles in the 1920s.
After the war, women started to wear their hair in softer, more natural styles. In the early 1950s women's hair was generally curled and worn in a variety of styles and lengths. In the later 1950s, high bouffant and beehive styles, sometimes nicknamed B-52s for their similarity to the bulbous noses of the B-52 Stratofortress bomber, became popular.[21] During this period many women washed and set their hair only once a week, and kept it in place by wearing curlers every night and reteasing and respraying it every morning.[22] In the 1960s, many women began to wear their hair in short modern cuts such as the pixie cut, while in the 1970s, hair tended to be longer and looser. In both the 1960s and 1970s many men and women wore their hair very long and straight.[23] Women straightened their hair through chemical straightening processes, by ironing their hair at home with a clothes iron, or by rolling it up with large empty cans while wet.[24] African-American men and women began wearing their hair naturally (unprocessed) in large Afros, sometimes ornamented with Afro picks made from wood or plastic.[9] By the end of the 1970s the Afro had fallen out of favour among African-Americans, and was being replaced by other natural hairstyles such as cane rows and dreadlocks.
Hairstyles 2011 Medium
Hairstyles 2011 Medium
Hairstyles 2011 Medium
Hairstyles 2011 Medium
Hairstyles 2011 Medium
Hairstyles 2011 Medium
Hairstyles 2011 Medium
Hairstyles 2011 Medium
Hairstyles 2011 Medium
Hairstyles 2011 Medium
Hairstyles 2011 Medium
Hairstyles 2011 Medium
Hairstyles 2011 Medium
Hairstyles 2011 Medium
There are Latin variants of the hair style more associated with European and Argentine tango fashion trends and occasionally with late 20th century musical genres such as rockabilly and country.
This style has become popular among Italian Americans and the "goombah" or "Guido" subculture. The style is often parodied in shows like The Sopranos, which portray stereotyped characters - especially Silvio Dante. Many Mexican Americans in the "Greaser" subculture also sport pompadours.[citation needed]
In modern Japanese popular culture, the pompadour is a stereotypical hairstyle often worn by gang members, thugs, members of the yakuza and its junior counterpart bosozoku, and other similar groups such as the yankii (high-school hoodlums). In Japan the style is known as the "Regent" hairstyle, and is often caricatured in various forms of entertainment media such as anime, manga, television, and music videos.
Conan O'Brien, American media personality and former host of Late Night with Conan O'Brien and Conan, is a notable wearer of the pompadour hairstyle.
Brent Liles of Social Distortion and Agent Orange wore a pompadour for many years.[citation neededRonald Reagan, the 40th President of the United States, sported a pompadour.[1]Singer, songwriter, Bruno Mars has also been seen sporting a pompadour.Physical factors include natural hair type and growth patterns, face and head shape from various angles, and overall body proportions; medical considerations may also apply. Self-image may be directed toward conforming to mainstream values (military-style crew cuts or current "fad" hairstyles such as the Dido flip), identifying with distinctively groomed subgroups (e.g., punk hair), or obeying religious dictates (e.g., Orthodox Jewish have payot, Rastafari have Dreadlocks, North India jatas, or the Sikh practice of Kesh), though this is highly contextual and a "mainstream" look in one setting may be limited to a "subgroup" in another.
In the 1800s, American women started wearing their hair up when they became ready to get married. Among the Fulani people of west Africa, unmarried women wear their hair ornamented with small amber beads and coins, while married women wear large amber ornaments. Marriage is signified among the Toposa women of South Sudan by wearing the hair in many small pigtails. Unmarried Hopi women have traditionally worn a "butterfly" hairstyle characterized by a twist or whorl of hair at each side of the face.
In many cultures, including Hindu culture and among the Wayana people of the Guiana highlands, young preople have historically shaved off their hair to denote coming-of-age. Women in India historically have signified adulthood by switching from wearing two braids to one. Among the Rendille of north-eastern Kenya and the Tchikrin people of the Brazilian rainforest, both men and women shave their heads after the death of a close family member. When a man died in ancient Greece, his wife cut off her hair and buried it with him,and in Hindu families, the chief mourner is expected to shave his or her head 10 days after a death.
Throughout history, hair has been a signifier of social class.Upper-class people have always used their hairstyles to signal wealth and status. Wealthy Roman women wore complex hairstyles that needed the labours of several people to maintain them,and rich people have also often chosen hairstyles that restricted or burdened their movement, making it obvious that they did not need to work.Wealthy people's hairstyles used to be at the cutting edge of fashion, setting the styles for the less wealthy. But today, the wealthy are generally observed to wear their hair in conservative styles that date back decades prior.
Middle-class hairstyles tend to be understated and professional. Middle-class people aspire to have their hair look healthy and natural, implying that they have the resources to live a healthy lifestyle and take good care of themselves. Adult middle-class women typically wear their hair shoulder-length or shorter, favouring brunette or soft blonde colours. Their hair is styled to accommodate a professional identity, avoiding strong colours or extremes of any kind.
Historically, working-class people's haircuts have tended to be practical and simple. Working-class men have often shaved their heads or worn their hair close-cropped, and working-class women have typically pulled their hair up and off their faces in simple styles. However, today, working-class people often have more elaborate and fashion-conscious hairstyles than other social classes. Many working-class Mexican men in American cities wear their hair in styles like the Mongolian (shaved except for a tuft of hair at the nape of the neck) or the rat tail (crewcut on top, tuft at the nape), and African-Americans often wear their hair in complex patterns of braids and cornrows, fastened with barrettes and beads, and sometimes including shaved sections or bright colour. Sociologists say these styles are an attempt to express individuality and presence in the face of social denigration and invisibility.
tage culture of the late 1950s and early 1960s that includes antique cars, hot rods, American folk music, rockabilly bands, Little Richard, and Elvis Presley.
In the middle of the 18th century the pouf style developed, with women creating volume in the hair at the front of the head, usually with a pad underneath to lift it higher, and ornamented the back with seashells, pearls or gemstones. In 1750, women began dressing their hair with perfumed pomade and powdering it white. Just before World War I, some women began wearing silk turbans over their hair.[9]
In the early 1870s, in a shift that historians attribute to the influence of the West,[17] Japanese men began cutting their hair into styles known as jangiri or zangiri (which roughly means "random cropping").[18] During this period, Asian women were still wearing traditional hairstyles held up with combs, pins and sticks crafted from tortoise, metal, wood and other materials,[9] but in the middle 1880s, upper-class Japanese women began pushing back their hair in the Western style (known as sokuhatsu), or adopting Westernized versions of traditional Japanese hairstyles (these were called yakaimaki, or literally, soirée chignon).During the First World War, women around the world started to shift to shorter hairstyles that were easier to manage. In the 1920s women started for the first time to bob, shingle and crop their hair, often covering it with small head-hugging cloche hats. In Korea, the bob was called "tanbal."[19] Women began marcelling their hair, creating deep waves in it using heated scissor irons. Durable permanent waving became popular also in this period: it was an expensive, uncomfortable and time-consuming process, in which the hair was put in curlers and inserted into a steam or dry heat machine. During the 1930s women began to wear their hair slightly longer, in page boys, bobs or waves and curls.[8] During this period, Western men began to wear their hair in ways popularized by movie stars such as Douglas Fairbanks, Jr. and Rudolph Valentino. Men wore their hair short, and either parted on the side or in the middle, or combed straight back, and used pomade, creams and tonics to keep their hair in place. At the beginning of the Second World War and for some time afterwards, men's haircuts grew shorter, mimicking the military crewcut.[20]
During the 1920s and 1930s, Japanese women began wearing their hair in a style called mimi-kakushi (literally, "ear hiding"), in which hair was pulled back to cover the ears and tied into a bun at the nape of the neck. Waved or curled hair became increasingly popular for Japanese women throughout this period, and permanent waves, though controversial, were extremely popular. Bobbed hair also became more popular for Japanese women, mainly among actresses and moga, or "cut-hair girls," young Japanese women who followed Westernized fashions and lifestyles in the 1920s.
After the war, women started to wear their hair in softer, more natural styles. In the early 1950s women's hair was generally curled and worn in a variety of styles and lengths. In the later 1950s, high bouffant and beehive styles, sometimes nicknamed B-52s for their similarity to the bulbous noses of the B-52 Stratofortress bomber, became popular.[21] During this period many women washed and set their hair only once a week, and kept it in place by wearing curlers every night and reteasing and respraying it every morning.[22] In the 1960s, many women began to wear their hair in short modern cuts such as the pixie cut, while in the 1970s, hair tended to be longer and looser. In both the 1960s and 1970s many men and women wore their hair very long and straight.[23] Women straightened their hair through chemical straightening processes, by ironing their hair at home with a clothes iron, or by rolling it up with large empty cans while wet.[24] African-American men and women began wearing their hair naturally (unprocessed) in large Afros, sometimes ornamented with Afro picks made from wood or plastic.[9] By the end of the 1970s the Afro had fallen out of favour among African-Americans, and was being replaced by other natural hairstyles such as cane rows and dreadlocks.
Hairstyles 2011 Medium
Hairstyles 2011 Medium
Hairstyles 2011 Medium
Hairstyles 2011 Medium
Hairstyles 2011 Medium
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